solo shows – group shows – festivals & screenings – readings – awards grants & residencies – writings – bibliography
eteam
Franziska Lamprecht & Hajoe Moderegger
from August 2024-2025, thanks to a Fulbright Scholarship, they live and work in Taipei
before that they lived & worked in upstate New York, NYC, Taipei, Hong Kong and Weimar
2023
Semi-Conducting Hand Held Moons – together with lololol, P.S.122, NYC
Our Non-Understanding of Everything, curated by Galen Joseph-Hunter & Bianca Biberaj, Create, Catskill, NY
2019
Zhong Kui and the reform of Hell, JC Cube, Tai Kwun Contemporary, Hong Kong
2018
Zhong Kui and the reform of Hell, AVA Gallery, Hong Kong
2017
The Line, Whitney Museum of American Art, artport
2016
Waypoint, Follow, Orbit, Focus, Track, Pan, GMK Gallery, Zagreb
2015
Space Delay, Art Cologne with M29, Cologne
2013
Frankfurt Mars, with Paul Amitai, Eyebeam, NYC
2012
open space, Eyebeam, NYC
2011
When the dancing gets too stiff, the rain needs to get dug out as ice-cubes, M29, Cologne, Germany
When the dancing gets too stiff, the rain needs to get dug out as ice-cubes, Stiftung Malzfabrik, Berlin, Germany
2010
Gallery Cruise, Smack Mellon, NYC
18. Bremer Video Award, Städtische Galerie, Bremen, Germany
2008
International Airport Montello, Hordaland Art Centre, Bergen Norway
International Airport Montello, M29 at ART Cologne, Cologne, Germany
2007
International Airport Montello, Art in General, NYC
2006
The Terror of Space, Vertexlist, NY
Say it with flowers, Soap Factory, Minneapolis
2005
The Paradox of the 10 Acres Square, M29, Cologne, Germany
2003
eteam and Barry Hylton, Momenta Art, NY
GROUP SHOWS (SELECTION)
2024
“The Imponderable Possible Dreams” at Fondation Fiminco, Paris; curated by Nathalie Hénon, Jean-François Rettig for Rencontres Internationales Paris/Berlin 2024
“Compossibility” curated by Les LeVeque and Francine Hunter McGivern at CR10, Linlithgo, NY
Hudson Valley Artists 2024: Bibliography, curated by Sophie Landres, Samuel Dorsky Museum, New Paltz
2023
404: error, curated by Natasha Chuk, :iidrr Gallery, NYC
The Digital Wilds, curated by Sabine Gruffat and Bill Brown, Lump Gallery, NC, US
Witches Own Without (W.O.W.) curated by Wong Kit Yi, Eunice Tsang and Lok Wong, Current Plans, Hong Kong
2022
The Moving Picture Show, curated by Peggy Ahwesh, Foreland, Catskill NY, US
2020
BOOKIES TWO, Gallery M29, Cologne
2019
Envoque, Gallery M29, Cologne
Future Tao: City Parks, Flaneur Festival, HKW, Berlin
Transparencies, Gallery M29, Cologne
2018
lolol.net/Future Dao, Bangkok Biennial, Bangkok, Thailand
The aerial actor, Art Omi, Ghent, NY USA
2017
Fly Ruthless, Modern Art Base, Shanghai
DEMO DAY, Kunstraum LLC, NYC
The Stand, P!, NYC
2016
Public, Private, Secret, ICP Museum NYC
No One Belongs Here More Than You, Despacio, San José, Costa Rica
2015
Internet Yami-Ichi, NYC, USA
Internet Yami-Ichi, National Museum of Fine Arts, Taichung, Taiwan
False Start: Situational Exploratorium, TAV Gallery, Taipei, Taiwan
Artists on Art Tours at Olana, Olana NY
The Usable Earth, Esther Klein Gallery, Philadelphia
2014
The Forgotten Pioneer Movement, District, Berlin
-and all together now- M29, Cologne
Art in Odd Places NYC
Mercury Retrograde, Lafayette College Art Galleries and Collections, PA
The Development, CSS Hessel Museum of Art, NY
Transmediale, Berlin
2013
Framing the viewshed: Groundswell, Olana, Hudson
local.#non.access, km temporär, Berlin, Germany
EXPO1: New York, MOMA PS1, NYC
ZPĚTNÁ DRÁHA MERKURU, Karlin Studio, Prague, Czech Republic
(n)on site, km temporär, Berlin, Germany
Mercury Retrograde: Animated Realities, Stephen Stoyanov Gallery, NYC
M10:storyboards, M29, Cologne, Germany
“Free Enterprise: The Art of Citizen Space Exploration”, Culver Center of the Arts, Sweeney Art Gallery and the California Museum of Photography, Riverside CA
2012
For Real, International Film Festival Rotterdam
co-re-creating spaces, Centraltrak, Dallas
2011
Tailgates & Substitutes, Thierry Goldberg Gallery, New York NY
Young artists project 2011:future lab, Daegu, Korea
Pursuant Pharaohs, Collar Works Gallery, Troy
The Woodstock New Media Festival, Woodstock Vermont
gradually melt the sky at Devotion Gallery, Brooklyn, NY curated by Will Pappenheimer & Mark Skwarek
2010
Landscape Techne, Little Berlin, Philadelphia
In Good Faith, M29, Cologne, Germany
Made In Internet, artboom Festival, Poland
The Absolutely Other, The Kitchen, NYC
Resurrectine, Ronald Feldman Fine Arts, NYC
Bodies of Dispersion, Mechanism of Distention, Galeria Arsenal, Bialystok, Poland
Speculation Elation 3: Visions of Land, Life and Letters, Parsons Hall Project, Holyoke
2009
Mercury Retrograde: Animated Realities, Bay12 gallery, Austin
system:system, St.Cecilia’s Convent, Brooklyn, NY
video_dumbo, Brooklyn, NY
State of the Art: New York, Urbis, Manchester, UK
Total Nowhere Emotion Expansion, Brisbane Festival, Australia
2008
Queens International 4, Queens Museum, NY
It’s all in the game…, AveCom, CBK Arnhem Netherlands
Degrees of Remove, Sculpture Center, Queens, NY
THE PROGRAM, curated by Carolyn Sortor, Bart Weiss, and Charles Dee Mitchell,
– – presented by the Video Association of Dallas, Conduit Gallery, Dallas
BITMAP – as good as new, The Leonard Pearlstein Gallery, Philadelphia, PA
Off the Grid, Neuberger Museum, Purchase NY
Kristin Lucas, Before and After, and/or gallery, Dallas TX
2007
“Before and After”, Postmasters, NY
BITMAP-as good as new, Vertexlist, Brooklyn, NY
Infinitu et Contini, Smack Mellon Gallery, Brooklyn, NY
Free Show, curated by R.Kahn and K.Gookin, NYC
OFFLOAD, systems for survival, Bristol UK
Sourcecode, Eyebeam NY
Place Relations, Kunstraum Walcheturm, Zurich
Aporia, L.A.C.E., Los Angeles, curated by Annabel Daou & Greta Byrum
Electromediascope, Nelson Atkins Museum, Kansas City, curated by Gwen Widmer and Patrick Clancy
2006
12. Marler Video-Kunst-Preis 2006, Kunstmuseum Magdeburg, Germany
“Video-Kunst 2004 – 2006”, Kunsthalle Göppingen, Germany
Prevailing Climate, Sara Meltzer Gallery, NY curated by Jeffrey Walkowiak & Rachel Gugelberger
Montezuma’s Revenge, Nicole Klagsbrun Gallery, NY
EXTRAPOLATIONS , curated By Humberto Ramirez
Marler Video-Kunst-Preis, Marl, Germany
APORIA/HEURISTICS, EFA Gallery, NY curated by Annabel Daou & Greta Byrum
Open Office, Gallery M29, Cologne, Germany
…but I was only acting!, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, curated by K.Gookin
2005
Unheimlich, de Warande, Turnhout, Belgium, curated by Ellen Loots
The Poseidon Adventure, Sadler’s Wells, London, UK, curated by Graham Hudson & Sacha Cradock
Traffic, Exit Art, NYC curated by Jodi Hanel & Papo Colo
Project room 2, Soap Factory, Minneapolis
Where I am calling from, Deutsche Bank, NYC, curated by Liz Christensen
Sasquatch Society, sixtyseven Gallery, NYC
Rhizome Artbase 101, New Museum, NYC, curated by Lauren Cornell
I am 5 – Parkers International Art Market, Parkers Box, Brooklyn
2004
Marion Ermer Preisträger, Neues Museum, Weimar, Germany
parasites, when space comes into play… curated by Manuela Ammer MUMOK, Vienna, Austria
Romantic Detachment, curated by Adam Sutherland, PS1, NYC
Get Off!, Museum of Sex, curated by Robin Kahn, NYC
ebay, Pace Digital Gallery, www.pace.edu/digitalgallery curated by Jillian McDonald
Colony Hudson Clearing, NYC, curated by Emily Wei and Haan Chau,
Video X, Momenta Art Gallery, Brooklyn, curated by Michael Waugh
The Neon Forest is my Home, curated by Ron Segev & Claire Lementais, sixtyseven Gallery, Brooklyn
2003
Beta Launch 03 , EYEBEAM, NYC
Fresh Meat, curated by Stephan Apicella-Hitchcock, CEPA, Buffalo, NY
Let’s get married, curated by Adam Sutherland, Grizedale Arts, England
Get rid of yourself, curated by Frank Motz, Leipzig, Weimar, Munich, Germany
Brewster 2003 collaboration, curated by Jane Benson, Brewster, NY
Neustadt/Niedersachenplatz, curated by Daniel Herrmann, Halle-Neustadt, Germany
Outpost, curated by Ada Chisholm, Smack Mellon, Brooklyn
$99 Rezession Show, curated by Tim Thyzel, Cynthia Broan Gallery, NYC
2002
Supernatural Satisfaction , curated by Jo del Pesco, Soap Factory, Minnesota
Paris/Brooklyn Exchange , curated by Eric Heist, Galerie Chez Valentin, Paris
meineigenheim, New Media Lounge PBICA, curated by Jody Servon, Palm Beach, Fl
2001
Pranksters, White Columns, curated by Lauren Ross, NYC
To Market To Market, Rotunda Gallery, (in collaboration with Mike Smith), curated by R. Kahn, Brooklyn
EAF 01, Socrates Sculpture Park, Queens
NY Digital Salon, New York
World Views, Artist-In Residence Program at the World Trade Center, by the LMCC, NYC
Everything for Ever + Ever, Waiting Room, curated by Jo del Pesco, Minneapolis
2000
Trois Cent Douze, The Meat Market Art Fair, Momenta Gallery, NYC
AccessZONE, The Bronx Museum of the Arts, curated by Tana Hargest, Bronx
1999
Aktivposten, (in collaboration with F.Höfner and H.Sachs), NEU DELI, Weimar, Germany
1998
Dixiland, (in collaboration with F.Höfner and H.Sachs), Galerie fuer zeitgenoessische Kunst, Leipzig, Germany
Dixiland / Body in a Box, (in collaboration with F.Höfner and H.Sachs), media Lab (eigen+art), Leipzig, Germany
FESTIVALS AND SCREENINGS
2024
Rencontres Internationales Paris/Berlin, Haus der Kulturen der Welt, Berlin, Germany
2023
Rencontres Internationales Paris/Berlin, Musée de la Chasse et de la Nature, Paris, France
2023 Mimesis Documentary Festival, Boulder, CO (Jury Award for Best in Documentary Arts)
33rd Onion City Experimental Film Festival, Chicago, US
2022
VDB TV Program 47: February – April 2022 Points of View – Video Artists Read the World, programmed by Abina Manning
2021
Rombak -Break the Wave, (online) curated by Ghazi Alqducy & Yap Sau Bin, Multimedia University, Cyberjaya, Malaysia
Hagai, #08 Trust Issue, curated by Lee Yen-Yi
2019
Crossroads presented by San Francisco Cinematheque and San Francisco Museum of Modern Art, San Francisco, CA
2018
Oberhausen Short Film Fest, Oberhausen, Germany
Seoul International NewMedia Festival, Seoul, Korea
Onion City Film + Video Festival 2018, Chicago
2017
UnionDocs, Brooklyn, NY
rReal Fiction, screening and talk with Hera Chan, Videotage, Lam Woo International Conference Centre, Hong Kong Baptist University,
46th International Film Festival Rotterdam, The Netherlands
Anthology Film Archives, NY, NY
Aurora Picture Show, Houston, TX
Alamo Drafthouse Ritz, Austin, TX
2015
Arquiteturas Film Festival Lisboa
2014
Taiwan International Documentary Festival TIDF
Athens International Film and Video Festival
Hanoi Doclab, Nối Projects, and Video Data Bank ‘Chùng’ screening program, Goethe Institute Hanoi, Vietnam
Goethe Institute, Singapore
International Film Festival Rotterdam, Rotterdam, Netherlands (Tiger Award shorts competition)
Uncommon Commons, Media Lounge and ARTspace, CAA, Chicago
2013
EXPO1: New York, MOMA PS1, NYC
2012
Control Group: Observing, Measuring and Attempting to Control the Natural World, UnionDocs, NY
Pixel Pops!, Cardiff, Wales + Barranquilla, Colombia, UK
Besetzt – Discourse on Art, Politics and Aesthetics, Platform3, Germany
Transmediale, Berlin
2011
Video_Dumbo 2011 NYC, USA
Migrating Forms NYC, USA
International Film Festival Rotterdam, Rotterdam, Netherlands
2010
Migrating Forms Shorts Program, BAMcinematek, NY
Dallas Video Fest, Dallas
Migrating Forms, Anthology Film Archives, NYC
Hors Pistes, Centre Pompidou, Paris, France
Transmediale10, Berlin
2009
video dumbo, Brooklyn, NY
Dallas Video Fest, Dallas
A Cavalcade of Eccentricity, The Stan Brakhage Symposium, University of Colorado at Boulder, organized by Steve Seid
2008
Transmediale08, Berlin
eteam! Gene Siskel Film Center, Chicago
2007
video_dumbo 07, Brooklyn, NY curated by Caspar Stracke & Gabriela Monroy
DIGIVILLE, Lighthouse, Brighton UK, curated by Anna Dumitriu
vertices, Galapagos Art Space, NY
700IS film festival; Egilsstadir, Iceland
2006
Made in Video, Copenhagen
1.1 Acre Flat Screen, Woodland Pattern Experimental Film/Video Series, Milwaukee, WI
VIDEO: RECENT AND STRANGE, Pacific Film Archive, curated by Steve Seid
2005
Focus, 11th Biennial of Moving Images, Centre pour l’Image Contemporaine, Geneva, CH
video_dumbo, Brooklyn, NY
Athens International Film and Video Festival, Athens, Ohio
International Media Art Festival Transmediale at NOASS, NOASS Gallery Riga, Latvia
Transmediale 04/Berlin – Fly Utopia Selection Vol. 2, Goethe-Institut Toulouse, France
Video Art from Germany, LE CUBE, Issy-les-Moulineaux, France
2004
Taiwan International Documentary Festival, Taipei, Taiwan
Performance Anxiety, curated by Steve Seid, Pacific Film Archive, Berkeley, CA
Desert, 6e Manifestation Internationale Vidéo et Art Electronique, Montreal
New York Video Festival, Lincoln Center, NYC
The How to Intensive, curated by Craig Goodman & Zoey Kroll, New Langton Arts, San Francisco
Image Forum Festival 2004, Kyoto, Japan
Transmediale 04, Berlin, Germany
2003
Gallery 825 video show, curated by Ashley Emenegger, Los Angeles
Videoex, Zurich, Switzerland
Immedia2003 – Entity, Ann Arbor, MI
x/AniMate, curated by Sandra McLean, Icon at Remote, NY
1998
EMAF, Osnabrück
1997
Ostranenie, Dessau
RADIO
2012
wgxc.org, The Cruise
basic.fm, The Cruise
PERFORMATIVE READINGS/TALKS
2020
“Grabeland- multimedia book performance” eteam with Yawen Erin Huang and Mengfan Bai, Spotty Dog Bookstore, Hudson NY
“Grabeland – a book party” eteam with Art Jones, Burcin Ayebe, Diana Guerra, Heeseo Choi, Herbert Laksina, Jean Carla Rodea, Krisia Ayala, Mengfan Bai and Priyanka Dasgupta, The City College of New York, NY
“ Straight Lines Don’t Make for a Journey: On Cultural Displacement and Resilience” Goethe Institute NY eteam with Dani and Sheila Restack
2017
“Alternative Knowledge Systems ” Tai Kwun Contemporary x Art Basel HK moderated by Melissa Karmen Lee with Susanne Pfeffer, Zheng Bo, Howie Tsui and eteam
Fireside Chat: eteam in conversation with Daniel C. Howe and Hera Chan, Videotage, Hong Kong
the art of concealment, the politics of hiding, the power of absence, NYFA First Thursdays NYC
2016
How to Disappear, ICP Museum NYC
2015
Invisibility, New Media Festival Woodstock, VT
on Disappearance, Etat, Taipei Taiwan
2014
An excerpt of OS Grabeland published in Fence along with a reading at Fence magazine’s Spring-Summer 2014 issue Launch party
Disappearance, Uniondocs, Brooklyn NY
2013
First Person Plural, Harlem, NYC
Buzz Cut, Spotty Dog, Hudson (in collaboration with Bobby Previte and Andrea Kleine)
Frankfurt Mars, EYEBEAM, NY (in collaboration with Paul Amitai)
AWARDS, GRANTS AND RESIDENCIES
2024/25
Fulbright Fellowship to Taiwan
2023
NYSCA grant with Fiscal Sponsorship provided by Wave Farm
Mimesis 2023 Jury Award for Best in Documentary Arts
2020/21
Fulbright Scholarship Hong Kong/Taiwan
2017/18
Winner of the Glocal Propose Award (International Competition) Seoul International NewMedia Festival, Seoul, Korea
10month Artist Residency at the Academy of Visual Art Hong Kong Baptist University, Hong Kong
2016
NYFA fellowship in the category of Architecture / Environmental Structures / Design
2015
The Fence Modern Prize in Prose, judge: Lynn Tillman
AIR residency, artist village Taipei, Taiwan
2015 NYSCA Distribution Grant, administered by wavefarm
2014/15
AIR residency Artist Village Taipei, Taiwan
2013
NYSCA Distribution Grant, administered by free103point9
2012
NYFA studio fellowship
2011
production residency at EMPAC, Troy, NY
2010
John Simon Guggenheim Memorial Fellowship
residency at the Exploratorium, San Francisco
2009
Creative Capital Grant
Yaddo, Residency, NY
2008
17.Videokunst Förderpreis Bremen, Bremen, Germany
2007
Rhizome Commission 07/08
MacDowell Colony, Residency, NH USA
Smack Mellon Studio Program
2006
2006-07 NYSCA Individual Artist Grant, NY
Finishing Funds 2006, Experimental TV Center, NY
Digital Matrix Commission, Longwood Cyberarts, Bronx, NY
2005
Art in General New Commissions Program, NYC
Center for Land Use Interpretation, Residency in Wendover, Utah
Project Grant, Soap Factory, Minneapolis
MacDowell Colony, Residency, NH USA
2004
Marion Ermer Preis, Neues Museum, Weimar
Henry Moore Foundation, Project Grant
Center for Land Use Interpretation, Residency in Wendover, Utah
Housework program, proposal for commission, FACT Liverpool
Harvestworks, Artist in Residence and Production Grant, NYC
2003
Grizedale Arts Residency, Cumbria, UK
NYSCA Distribution Grant
Yaddo Residency, NY USA
MacDowell Colony, Residency, NH USA
2002/03
EYEBEAM, MID Residency, NYC USA
Weblab/crossover, Studio A at White Oaks, Florida
2001
Presentation Fund, Experimental Television Center
Emerging Artist Fellowship 01, Socrates Sculpture Park, Queens
World Views Residency, Lower Manhattan Cultural Council, NYC
2000
Artist in the Marketplace, Bronx Museum of the Arts
1999
DAAD, Travel Grant
1997
Digitale Bildwelten, Grant
Writings
2021
“Ulrike Meyer Stump’s Karl Blossfeldt: Variations“, BOMB Magazine #155 Spring 2021
2020
“Grabeland,” a novel, 296 pages, 146 photographs, published by Nightboat Books, NY
2016
“The Case of Distance Disengaged,” novella, 123 pages, 58 photographs
“Give that Site some Privacy,” in A Companion to Public Art. Edited by Cher Krause Knight and Harriet F. Senie. Wiley Blackwell, 2016, pp. 129–134.
2013
“Buzz Cut,” novella, 56 pages, black and white with photographs
BIBLIOGRAPHY
2024:.
Chuk, Natasha A., review of eteam + lololol at PS122: “Semi-conducting Hand-held Moons”, Millennium Film Journal, Issue 79, Re-presentation.
2023
Chuk, Natasha A., “eteam’s“Our Non-Understanding of Everything” at CREATE Gallery, Chronogram Magazine, chronogram.com
2022
Chuk, Natasha A., “The Moving Picture Show” Millennium Film Journal, Fall 22 issue
Lui, Mabel, “Hong Kong witchcraft-themed art exhibition looks at magic in modern world to overcome contemporary problems“, South China Morning Post, September 22, 2022
Thomas, Taliesin, “Art Review: “The Moving Picture Show” at Foreland in Catskill“, Chronogram, 02/24/2022
2020
The New York Times, “New & Noteworthy, From Suffrage to Sexism”
https://www.nytimes.com/2020/02/25/books/review/new-this-week.html
2017
Bureaud, Annick, « The Line », eteam, Whitney Artport (in french) http://www.annickbureaud.net/?p=1335
Marcus, David, “The Stand” Art in America, Apr. 21, 2017
2016
Morrissette, Micaela, eteam’s OS Grabeland: Art Novel, BOMB 137/Fall 2016, EDITOR’S CHOICE
Cher Krause Knight and Harriet F. Senie (ed), A Companion to Public Art, Wiley-Blackwell, 2016 Pages 129 – 134,
Kahn, Jacob, OS Grabeland- eteam, www.full-stop.net
2015
Heaven, Douglas, What digital trash dumped in games tells us about the players, New Scientist 18 November 2015
Paret, Paul Monty, Critical Landscapes: Art, Space, Politics, editors Emily Eliza Scott, Kirsten J Swenson Univ of California Press, 2015 page 251 – 252
Thompson, Nato, Seeing Power: Art and Activism in the Twenty-first Century, Melville House, 2015
Paul, Christiane, Digital Art, Thames and Hudson world of art, page 243,244, 2008 & 2015
Aguilar, Marvin, The Artblog The Usable Earth at Esther Klein Gallery, July 2, 2015
2014
Horowitz, Noah, Art of the Deal: Contemporary Art in a Global Financial Market, Princeton University Press, 2014 Pages 90-32
MCCORMICK, CARLO, Insider’s Guide to the Deer-Hunting, Pig-Farming, Mushroom-Foraging Hickster Artists of the Catskills, ArtNews, 06/14
Ladaga, Alexandro and Manteiga, Silvia ” Moving Layers” Contextual Video in Art and Architecture, Edilstampa SRL, 2014
2012
Russ, Sabine The Cruise — a floating audio film by eteam, BOMB 121/Fall 2012, EDITOR’S CHOICE
Hernández-Chong-Cui, Sofía, Contemporary Art: 1989 to the Present edited by Alexander Dumbadze, Suzanne Hudson, John Wiley & Sons, Dec 6, 2012
Landi, Ann, “Out of this World“, ArtNews, June 14, 2012
Richter, Ulrike, “Internet art, streamline the definition of the term” Artou Magazine (in German), 03/16/12
Finnegan, Jesse P. “Site Specifics: meineigenheim.org“, Film Comment, NY March – April 2012 issue
The Daily Tiger, International Film Festival Rotterdam, 01/28/12 (in dutch)
2011
Paret, Paul Monty The Aesthetics of Delay: eteam and International Airport Montello, Art Journal (Winter 2010)
Urena, Leslie J., eteam, artforum.com 500 words , May 11 2011
Jovanovic, Rozalia THE LANDED VIRTUALISTOCRACY, http://www.blouinartinfo.com, July 13, 2011
2010
Zier, Jan, Aktionskunst, Spiel und Dokumentation TAZ (die tageszeitung) 13.01.2010
Tracey Bowen, Mary-Lou Nemanic (editors), Cultural Production in Virtual and Imagined Worlds, Cambridge Scholars Publishing 2010: page 85
2008
Paul, Christiane, Digital Art, Thames and Hudson world of art, page 243,244, 2008
Olson, Marisa, Interview with eteam, editorial for Rhizome.org October 2008
Wolff, Rachel, All the Web’s a Stage, ARTnews March 2008
2007
Vanderbilt, Tom, Pick 2007, Artforum 12/2007
2006
Vanderbilt, Tom, One-way ticket to nowhere, Modern Painters 11/2006
Wang, Michael, Project Runway, Artforum.com, September 22, 2006
Cornell, Lauren, Interview about digital art, Flavorpill/Artkrush, July 26, 2006
2005
Richter, Babette (Hrsg.), Stop and Go, die Melancholie des Kreises, Köln 10/2005
Flynn, Nick; trainstoppers, or, the adorable rope; issue magazine 09/2005
Yablonsky, Linda; Outside the Box, artforum.com/ diary 05/10/05
2004
Gute, Charles, The eteam at Momenta Art, Flash Art Magazine, April
Holden, Stephen, Where Psychedelia and Digital Austerity Converge, The New York Times, July 14 2004
Powhida, William, The Neon Forest is my Home, The Brooklyn Rail, 03/2004
Smith, Roberta, Colony, The New York Times, April 9 2004
Sen-Lun, Yu, How to stop a train, Taipei Times, December 12 2004
2003
Bard, Elizabeth, Digital Art’s Year-Round Summer Camp, The New York Times, Nov.9th, 2003
Motz, Frank, eteam, Vierzehn, 09/2003
2002
Kocache, Moukhtar, The Artist Residency program in the Twin Towers, IFAR Journal, February 2002
Majica, Marin, Im Zimmer von Tante Waltraud, Berliner Zeitung, 09/21/2002
2001
Perra, Danielle, www.meineigenheim.com, Tema Celeste Magazine, 08/2001
1993
Raap, Jürgen, Rindkampf, KunstForum International, Bd. 126, 11/93